MegaShark vs. Giant Octopus Streaming Ita Altadefinizione Sinossi e dettagli: A bordo di un piccolo sottomarino, che ha preso senza autorizzazione per riuscire a prova-re le sue teorie, l’intrepida biologa Emma McNeill (Deborah Gibson) è testimone di un fat-to strano: rese pazze da un sonar a bassa frequenza lanciato da un elicottero, alcune balene prendono a capocciate Where to Watch / Stream Mega Shark vs. Giant Octopus Online Theatrical release - Not available on any OTT Platform right now. Mega Shark vs. Giant Octopus Release Date, Trailer, Cast & Songs About Mega Shark vs. Giant Octopus Mega Shark vs. Giant Octopus was released on May 19, 2009 and was directed by Jack Perez .This movie is 1 hr 30 min in duration and is available in English language. Lorenzo Lamas, Sergio Kato, Debbie Gibson, Sean Lawlor, Vic Chao, Jonathan Nation, Mark Hengst, Michael Teh, Chris Haley, Dustin Harnish, Dean Kreyling, Stephen Blackehart, Dana DiMatteo, Myles Cranford, Dana Healey, John Bolen, Russ Kingston, Larry Wang Parrish, Stephanie Gernhauser, Cooper Harris, Matt Lagan, Hunter Ives and Douglas N. Hachiya are playing as the star cast in this movie. Mega Shark vs. Giant Octopus is available in Horror and Sci-Fi genres. Mega Shark vs. Giant Octopus - Star Cast And Crew Image Gallery Disclaimer All content and media has been sourced from original content streaming platforms, such as Disney Hotstar, Amazon Prime, Netflix, etc. Digit Binge is an aggregator of content and does not claim any rights on the content. The copyrights of all the content belongs to their respective original owners and streaming service providers. All content has been linked to respective service provider product uses the TMDb API but is not endorsed or certified by People Also liked Brahmāstra Part One Shiva Action Laal Singh Chaddha Comedy Raksha Bandhan Comedy Bhool Bhulaiyaa 2 Comedy The Real World Sci-Fi Junoon Horror LACED Horror Baby Fever Horror Mega Shark vs. Giant Octopus FAQ's The release date of Mega Shark vs. Giant Octopus is May 19, 2009. Grease, Boone The Bounty Hunter, Secrets of Deception, Deep Evil, The Swordsman, Sharknado 3 Oh Hell No!, Thralls, The Paradise Virus, Succubus Hell-Bent, Dark Waters, Badla Dinasour Ka and Rahasya Sundari 116 are the popular movies of Lorenzo Lamas. Some Guy Who Kills People, Monster Island, 666 The Child, Drone Wars and Blast Vegas are the popular movies of Jack Perez. The star cast of Mega Shark vs. Giant Octopus are Lorenzo Lamas, Sergio Kato, Debbie Gibson, Sean Lawlor, Vic Chao, Jonathan Nation, Mark Hengst, Michael Teh, Chris Haley, Dustin Harnish, Dean Kreyling, Stephen Blackehart, Dana DiMatteo, Myles Cranford, Dana Healey, John Bolen, Russ Kingston, Larry Wang Parrish, Stephanie Gernhauser, Cooper Harris, Matt Lagan, Hunter Ives and Douglas N. Hachiya. Mega Shark vs. Giant Octopus is directed by Jack Perez. This movie is available in English language. This movie is available in Horror and Sci-Fi genres. Popular movies of Lorenzo Lamas View All Copyright © 2007-2022 Group Rights Reserved.
RegarderMega Shark vs. Giant Octopus 2009 Movie WEB-DL Il s'agit d'un bibliothèque médaille sans désastre d'un service de streaming, tel que Netflix, Amazon Video, Hulu, Crunchyroll, Discovery GO, BBC iPlayer, etc. film ou jeu télévisé téléchargé via un site Web de exempt en ligne, comme iTunes. Le réglage est correctement bon dans le passé ils ne sont
Director Jack Perez Runtime 1 hour 30 minutes Genres Horror, Science-Fiction Language English 19 May 2009 82 members Winner... Eats... All! The California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the sea. Actors 23

Lescôtes californiennes deviennent le théâtre d'un surprenant mais non moins terrifiant spectacle : deux monstres marins, Mega Shark et Octopus, se battent en duel détruisant tout sur leur passage. Quand l'US Navy décide d'intervenir, le Mega Shark en colère s'attaque aux humains. Emma, une courageuse jeune femme, décide de stopper le carnage

If you buy something from a Polygon link, Vox Media may earn a commission. See our ethics statement. The 1979 war film Apocalypse Now is infamous for going over budget, over schedule, and over the top to appease director Francis Ford Coppola’s every demand. 2009’s Mega Shark vs. Giant Octopus is infamous for ... the exact opposite reasons. Pumped through the direct-to-video company The Asylum’s “mockbuster” pipeline for a fraction of a fraction of the cost of a typical tentpole, the movie delivers just enough to validate the marquee-friendly title. Today, Apocalypse Now is revered as one of the great American films. Mega Shark vs. Giant Octopus floats through streaming libraries and provides the internet with big floppy CG shark memes. But was pulling it off any less of a feat than Coppola’s blood-sweat-and-tears epic? Someone has to treat the Mega Shark vs. Giant Octopuses like their own personal Apocalypse Now, and writer-director Jack Perez was up for such a challenge. His early work in the 1990s, shooting behind-the-scenes documentaries on the sets of Carlito’s Way, The Flintstones, and Hard Target, eventually put him on the radar of Sam Raimi, who hired him to direct Hercules’ backdoor pilot for Xena. By then Perez had directed an indie feature, the found-footage-before-found-footage-was-a-thing horror flick America’s Deadliest Home Video, had stop-motion animation skills in his back pocket, and knew his way around a commercial set. The future was bright enough; Perez spent the ’90s and 2000s bouncing between indie features and gigs-for-hire like Wild Things 2 and MTV’s TV movie Monster Island. Mega Shark vs. Giant Octopus, which finds a team of oceanographers scrambling to kill two underwater kaiju by luring them into a tentacle-flapping, jaw-snapping fight, was not a passion project. But when Perez signed on, he wanted it to be good — even if the Debbie Gibson-led creature feature was just another cog in The Asylum’s notorious business model. And it seemed to have worked; the movie’s low-rent visual effects and stilted drama mesmerized internet kids, prompting Asylum to produce several Mega Shark sequels. Before the hyper-self-aware gimmicks of Sharknado also an Asylum joint, there was Perez funneling his monster-movie memories from the 1970s into cheapo popcorn entertainment. What did it take to get an Asylum movie wrapped and in the can? Out of morbid curiosity, I phoned Perez to talk about the making of Mega Shark vs. Giant Octopus. [Ed. note This interview was edited and condensed for clarity.] Image The Asylum How did you wind up making Mega Shark vs. Giant Octopus for The Asylum? Jack Perez I’ve always bounced between independent films and more commercial work, depending on what opportunities are presented. The Asylum didn’t used to be a low-budget schlock factory — they were originally a distributor of independent movies, if you can believe it. The people there had distributed my second feature called The Big Empty, which was like a character-driven noir. They knew me from that, so when the company became this mockbuster schlock factory, they were looking for directors who could do stuff on a really tight, Roger Corman-style schedule. So if I was ever really low on money or a gig fell through or whatever, I was happy to jump in and do one of these nutty movies. I had been in preparation to do a more personal movie, a bigger budget movie that I had been prepping for a year, and it was ready to go and I was casting and then as it happens, so often in Hollywood, all the financing fell apart. I found myself like, “Oh, shit, how am I going to pay the rent?” So I picked up the phone and called The Asylum and said, “What do you got? I need something for this month.” They said, “Well, can you write and direct a versus’ monster movie in a couple of weeks and shoot in a couple of weeks?” And I was like, “Yes, of course!” How did you land on Mega Shark and Giant Octopus? Where do you start on a movie like this? I have a long love of monster movies — the films of Ray Harryhausen, King Kong, and, all the Godzilla movies were things that I was raised on as a kid. So it’s very easy for me to sort of open up that reservoir and reconstitute all those tropes and things that I love into whatever was necessary. But at the time, The Asylum basically had a distribution deal for VHS and DVD. Basically the distributor said, “We need a versus’ monster movie, can you guys do that kind of thing?” They said yes, and basically turned to someone like me to do it. At the time, they just had “Mega shark vs. Giant Squid” on paper — I don’t know if that came from 20,000 Leagues Under the Sea. But then as I was writing it, they were like, “No, it’s an octopus,” which didn’t really change it very much. The whole idea of “Mega versus Giant” is essentially taking Jaws and making it 500 feet tall. Because there was already a subgenre of shark movies in the wake of Jaws — Mako The Jaws of Death, Tintorera Killer Shark, Orca, and all that kind of stuff — it was something that was known. And, I didn’t know about this at the time, but there have been documented actual undersea battles between sharks and octopus on occasion! So that’s what I was given. I wound up adopting a pseudonym at the time, even though ultimately it traced back to me, because the company had a penchant for re-editing. They did exactly that in this case. These movies are made very quickly, and when you’re dealing with so many limitations, production-wise, I find that speed, like tempo, is a way of compensating. A very fast-paced movie will hold your interest so that you can’t really scrutinize problems with performance, problems with writing, problems with special effects. The problem with The Asylum is, sometimes they have to meet certain running time lengths, so they re-edit and pad it. So when you watch Mega Shark, my original cut is so much faster and funnier, but they needed it to be like 10 or 15 minutes longer. So the editors went in there and basically opened up the scenes. So you have this preponderance of unnecessary reaction shots and pauses. I can’t believe it still bothers me, but it’s like when somebody tries to extend their book report by double spacing. How did you write toward the low-budget goals of the finished project while also making it fun? I had a two-week writing period and then some quick revisions. The stuff needed to be churned out. When you write on that schedule, you basically do the math and say, “How many pages a day do I need to complete it?” If it’s gonna be 100 pages, you have to write at least six or seven pages a day. Crazy. The producers at The Asylum always had this mandate where they said, “This has to be written and directed with absolute seriousness.” In other words, you can’t poke fun at this stuff. Which, to me, was insane. To be dealing with such extreme limitations, you’re not going to fool anybody, so at every turn I tried to add absurdity into the story in terms of what happened, like the shark biting a plane out of the air, or the shark eating the Golden Gate Bridge. I mean I had one character making reference to Julius Caesar in the middle of the movie. I had things that I threw in the hopes that anybody who was half-aware would realize that the filmmakers were very aware that this was ridiculous, as opposed to being The Room or an Ed Wood movie. One of my favorite things is There’s a scene I wrote where they’re trying to come up with this formula to get the animals to come together to kill each other, some sort of pheromone, and I have this ridiculous little montage where they’re like basically adding food coloring to beakers and water, trying to solve the chemical equation problem. Some actual chemists got ahold of it, and they posted something on YouTube called “doing science” and they just show that scene because it’s the most uninformed idea of chemistry. The one thing is, if you make a movie called Mega Shark vs. Giant Octopus, there really should be way more mega shark fighting giant octopus stuff. I would have preferred that they spent a little bit more money and made another, because I wrote way more fighting stuff than what’s in it. Like, instead of them double-spacing to pad the overall pacing, how about we just do a couple more fight sequences? Because that’s what people would want to see. But that would end up spending money, and nobody wants to do that. So, I just wrote the most extreme stuff that I could. Knowing that the effects were not going to be photorealistic, the concept of the effect was more important to me. They needed to be the idea of the effect — like a shark jumping out of the ocean eating a plane. It wasn’t going to be photorealistic, but at least it would be fun. You shot the movie in 12 days ... how? It’s insane. I don’t wish it on anybody. Funny enough, the schedules have become even shorter. I used every trick in the book. I had made three or four features and TV prior to making Mega Shark, so I picked up a few things. You just have to design the hell out of it. You don’t shoot one frame more than you need. You shoot to cut. Mostly it’s just about solving the problems that were inherent in my own script. In the movie, there’s all this submarine action, but there are no submarine sets flying around. And at least at the time [at The Asylum], there was no construction or production design budget to build a submarine set. So how do you convey a bunch of submarine scenes? I realized one of the stages we were shooting at had a standing sci-fi hallway set à la Alien, because there were 25 million Alien knockoffs in the wake of the original. So we had that kind of classic Ridley Scott futuristic corridor, and it was kind of narrow, which is what a submarine is, so I decided to just rent a periscope. We put everybody in sort of Red October jumpers and headsets, and put the periscope dead center, and we thought if we used it as a strong sort of foreground, maybe people would forgive that the rest of it is not a submarine at all, but a hallway. Is the shoot a blur now, or are there some enjoyable memories that stand out? There’s a scene at the beginning of the movie where they find a sperm whale that’s been bitten to pieces. That comes straight from Jaws 2, which I saw as a kid. So the mega shark would attack the biggest whale in the world. Typically, that would be a CGI effect. But I did a foreground miniature as an in-camera effect. We built a foam rubber whale that was about four feet long and set it up in front have the camera. It’s a classic force-perspective gag — you move the people a block away, and you line it up so that it appears that two are interacting with each other. And it’s an in-camera effect. It looks great! It just works every time. That was like me trying to have some fun because I felt so sort of frustrated at all the limitations. I was like, “I’m going to do something like I would have done when I was like a kid making Super 8 movies.” Everybody got a huge kick out of it, because nobody was accustomed to experiencing in-camera practical effects like that. There were rumors that the movie would be converted and released in 3D, which is kind of unimaginable. Yeah, that was talked about, which is crazy because that technology costs money. You can’t fault them for being ambitious in terms of what they want to do. And 3D hadn’t quite made a huge comeback, so the idea was really exciting. But I think the movie would have probably had to have been made in four days if they shot it in 3D. Perez on the set of Mega Shark vs. Giant Octopus Photo Courtesy of Jack Perez I’ve also been a film professor for 10 years, and I tell my students that if you’re going to make your first film, and you only have a couple thousand dollars, then do yourself a favor and write something that can be fully realized for the budget. If you only have $2,000, you don’t try to make Raiders of the Lost Ark, because it’s just not going to work. But that’s never stopped The Asylum. It’s like, “No, we’ll do Jurassic Park, but we’ll do it for a $ So you get this weird sort of approximation of something that sort of fits in a DVD sleeve. But The Asylum is just a microcosm of the whole movie business. They know how much money their movie’s going to make. So they don’t want to spend a penny more that’s going to eat into their profit. Even though spending more would yield a better movie, if their primary goal is to make money, then they will sacrifice the quality of the movie and quality effects and the number of days it takes to shoot to ensure that there’s a return. But if you’re a filmmaker, you don’t think in those terms. You’re thinking, “Give me another shot. Give me one more hour, and I can make the movie better.” The chance to make any movie is rare. If you’re one of those people who makes a movie every year, which is the 1%, then you’re probably not going to have the same appreciation. But, generally, it takes a couple of years between movies. So any opportunity, regardless of the limitations or the story, is an opportunity to play. You can either meet that with professionalism or you can meet it like a bitter brat. So I’ve always been real conscious of that, particularly when I only have like 12 days. Let’s try to make this as good as we can. Mega Shark vs. Giant Octopus is available to stream for free with ads on Peacock, Tubi, and Pluto TV.
TheCalifornia coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the sea.
Synopsis Les côtes californiennes deviennent le théâtre d’un surprenant mais non moins terrifiant spectacle deux monstres marins, Mega Shark et Octopus, se battent en duel détruisant tout sur leur passage. Quand l’US Navy décide d’intervenir, le Mega Shark en colère s’attaque aux humains. Emma, une courageuse jeune femme, décide de stopper le carnage par tous les moyens. Regarder en Streaming Powered by JustWatch
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Due to a planned power outage on Friday, 1/14, between 8am-1pm PST, some services may be impacted. Audio Preview The California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the PerezWriterJack Perez screenplayStarsLorenzo Lamas, Deborah Gibson and Vic Chao Addeddate 2011-01-13 215548 External_metadata_update 2019-03-27T010906Z Identifier MegaSharkVsGiantOctopus2009 comment Reviews There are no reviews yet. Be the first one to write a review. 143 Views DOWNLOAD OPTIONS IN COLLECTIONS Uploaded by Gruesome Hertzogg on January 13, 2011 SIMILAR ITEMS based on metadata

MegaShark vs Giant Octopus est l'un des meilleurs film de confrontation entre un requin et une pieuvre que j'ai vu. Les effets spéciaux sont ahurissants, les scenes de combat sont réalistes et malgré quelques stock-shots, le film est excellent. Bref mega shark vs giant octopus est un bon film produit par the asylum.

Watch Now RatingGenresHorror , Science-Fiction Director Cast SynopsisThe California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the Shark vs. Giant Octopus streaming where to watch online?Currently you are able to watch "Mega Shark vs. Giant Octopus" streaming on fuboTV, Hoopla, FlixFling or for free with ads on Peacock, Peacock Premium, The Roku Channel, VUDU Free, Tubi TV, Crackle, Pluto TV. It is also possible to rent "Mega Shark vs. Giant Octopus" on Amazon Video, Microsoft Store, FlixFling online and to download it on Amazon Video, Spectrum On Demand, Microsoft Store, FlixFling. People who liked Mega Shark vs. Giant Octopus also liked Popular movies coming soon Upcoming Horror movies
- Réalisateur(s) : Jack Perez - Acteur(s) : Lorenzo Lamas - Deborah Gibson - Sean Lawlor - Origine : Américain - Genre : Action - Année : 2009 Durée : 1h 30min Titre Original : Mega Shark vs. Giant Octopus Synopsis : Les côtes californiennes deviennent le théâtre d'un surprenant mais non moins terrifiant spectacle: deux monstres marins, Mega Shark et
Mega Shark vs. Giant Octopus Horror 2021 1 hr 28 min iTunes Strange things are afoot in the depths of the sea. First a passenger plane vanishes over the Pacific Ocean. Then an oil platform is obliterated. Marine biologist Emma MacNeil Deborah Gibson is dispatched to investigate the phenomena, and, with the help of Japanese scientist Seiji Shimada Vic Chao, she makes a discovery that will rock the world An enormous prehistoric shark and a giant octopus have been awakened from their icy slumbers - and they're hungry. Horror 2021 1 hr 28 min iTunes 12 Starring Deborah Gibson, Lorenzo Lamas, Sean Lawlor Director Jack Perez Trailers Related Cast & Crew
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